Archive for the ‘MachinePolitick’ Category

Me and My Bad Attitude: Layer One

Aug
28

I am currently working on a self-portrait  for a show at the Tannery Row Artist Colony in Buford, Georgia. The title of the show is The Music in Me and the format is square, as if we are designing album covers. Those of you who are familiar with my Liberty paintings will have some idea of where this painting is going. Because I work in so many layers, I have decided to start documenting each step in my paintings. While the details show through subsequent layers, it is often difficult to capture them in photographs, mostly because I am photographically challenged.

Here is the first step below showing the filigree that is often the first layer in one of my paintings. The gray menace in the background, scowling with disdain, is my husband’s cat Odin. He fancies himself a studio cat and loves to lounge on my work table, tossing my mixed media components to the floor with malicious glee. At seven, he is finally calming down, but he still enjoys making a mess.

This article will also be posted at Liberatchik.

Visionary Reflections: Studies in Aesthetics

Aug
13

My friends in the Buford Artists’ Group are organizing our next show. Here is a list of our participating artists:

1. Anita Stewart: Instructor/owner of Anita’s Artscool in Buford, GA; Mixed Media &             Acrylics

2. Beth Arnold: Retired Teacher,; specializes in Acrylic and Watercolor landscapes

3. Beth Stokes Clinton: Specializes in landscapes in Oil based on her travels including France and China.

4. Carol Luttenberg: Signature Watercolor artist, originally from PA;  now experimenting with colored inks and liquid watercolor on Yupo

5. Dolly Alexander: Originally from Texas, specializes in dry pastels.  She is known as “The Cloud Lady” for her unique rendition of clouds

6. Frances Byrd: Political activist and social conscience.  Works in Acrylics.  SCAD graduate and visionary artwork

7. Howard Wilemon: Retired Engineer. Very distinctive style.  Paints in Acrylics.

8. Judith Surowiec: Paints very colorful and surrealistic scenes in acrylics.  Studio at Tannery Row Artist Colony in Buford, GA

9. June Gotthardt: Paints landscape scenery of North Carolina mountain region.

10. Lois Colborn: Self taught Visual Artist.  Specializes with watercolor on Yupo which feature still life, abstract, or landscape as well as her own “Tiffany” look.

11. Lucy Brady: Paints in Watercolor and specializes in landscapes from National State Parks.  Also House portraits

    12. Rosemary Benavides Williams: Originally from MA, Watercolor Instructor at the Sugar Hill Community Center

    More details will be posted as they develop. The show is currently scheduled for October 13 – February 23, 2011. The venue is the George Pierce Park Community Center in Suwannee, Georgia. I am planning to submit work from the Patriot Pony Project.

    Liberatchik: Art Inspired by Activism

    Aug
    2

    These paintings are by Michael LeKites, who was kind enough to post them on our Facebook page. They were inspired by last year’s Taxpayer March on DC. I eel a personal connection to the work because I also attended the event. From the perspective of an artist, they are very well executed. The color and composition are amazing. From the point of view of a propagandist – they rock and I hope to see more work of this kind in the public forum. Please keep an eye out for future postings of Mr. LeKites’ work, as I plan to keep track of his progress.

    These images have also been posted on Liberatchik

    Pencil Drawing: Lady Justice

    Jul
    20

    Justice#1

    Frankie’s Mural is Almost Finished

    Jul
    11

    The last couple of weeks, I have been back at Frankie’s Repair Shop working on his mural. It is a tribute to his father who served in the Korean War. In two weeks, Mr. Morales will be in town from Puerto Rico. It will be interesting to see how he reacts, and how accurately I have been able to portray him based on the grainy black and white photos I have from the war as reference.

    Overall, I am very happy with the mural. Portraits are my least favorite subjects, but I think this one is coming out pretty well. I am extremely pleased with the eagle and the translucency of the flag. One of the most difficult parts of this project has been trying to achieve the layering that is prevalent in my fine art while using house paints.

    I expect to finish up tomorrow. For now, here are the current photos:

    This article is also posted at Liberatchik

    Poetry for the 4th

    Jul
    4

    I just posted an article over at Anystreet about how I spent the Fourth of July. I thought I’d take a minute here to post a poem we read our son to commemorate the holiday. Also, here is the most recent work in progress at the MachinePolitick studio.

    Happy Independence Day to all!

    Paul Revere’s Ride by Henry Wadsworth Longfellow

    Listen my children and you shall hear

    Of the midnight ride of Paul Revere,

    On the eighteenth of April, in Seventy-five;

    Hardly a man is now alive

    Who remembers that famous day and year.

    He said to his friend, “If the British march

    By land or sea from the town tonight,

    Hang a lantern aloft in the belfry arch

    Of the North Church tower as a signal light,-

    One if by land, and two if by sea;

    And I on the opposite shore will be,

    Ready to ride and spread the alarm

    To every Middlesex village and farm,

    For the country folk to be up and to arm.”

    Then he said “Good night!” and with muffled oar

    Silently rowed to the Charlestown shore,

    Just as the moon rose over the bay,

    Where swinging wide at her moorings lay

    The Somerset, British man-of-war;

    A phantom ship, with each mast and spar

    Across the moon like a prison bar,

    And a huge black hulk, that was magnified

    by its own reflection in the tide.

    Meanwhile, his friend through alley and street

    Wanders and watches, with eager ears,

    Till in the silence around him he hears

    The muster of men at the barrack door,

    The sound of arms, and the tramp of feet,

    And the measured tread of the grenadiers,

    Marching down to their boats on the shore.

    Then he climbed the tower of the Old North Church,

    By the wooden stairs, with stealthy tread,

    To the belfry chamber overhead,

    And startled the pigeons from their perch

    On the somber rafters, that round him made

    Masses and moving shapes of shade,-

    By the trembling ladder, steep and tall,

    To the highest window in the wall,

    Where he paused to listen and look down

    A moment on the roofs of the town

    And the moonlight flowing over all.

    Beneath, in the churchyard, lay the dead,

    In their night encampment on the hill,

    Wrapped in silence so deep and still

    That he could hear, like a sentinel’s tread,

    the watchful night-wind as it went

    Creeping along from tent to tent,

    And seeming to whisper, “All is well!”

    A moment only he feels the spell

    Of the place and the hour, and the secret dread

    Of the lonely belfry and the dead;

    For suddenly all his thoughts were bent

    On a shadowy something far away,

    Where the river widens to meet the bay,-

    A line of black that bends and floats

    On the rising tide like a bridge of boats.

    Meanwhile, impatient to mount and ride,

    Booted and spurred, with a heavy stride

    On the opposite shore walked Paul Revere.

    Now he patted his horse’s side,

    Now he gazed at the landscape far and near,

    Then impetuous, stamped the earth,

    And turned and tightened his saddle girth:

    But mostly he watched with eager search

    The belfry tower of the Old North Church,

    As it rose above the graves on the hill,

    Lonely and spectral and somber and still.

    And lo! as he looks, on the belfry’s height

    A glimmer, and then a gleam of light!

    He swings to the saddle, the bridle he turns,

    But lingers and gazes, till full on his sight

    A second lamp in the belfry burns.

    A hurry of hoofs in a village street,

    A shape in the moonlight, a bulk in the dark,

    And beneath, from the pebbles, in passing, a spark

    Struck out by a steed flying fearless and fleet;

    That was all! And yet, through the gloom and the light,

    The fate of a nation was riding that night;

    And the spark struck out by that steed, in his flight,

    Kindled the land into flame with its heat.

    He has left the village and mounted the steep,

    And beneath him, tranquil and broad and deep,

    Is the Mystic, meeting the ocean tides;

    And under the alders that skirt its edge,

    Now soft on the sand, now loud on the ledge,

    Is heard the tramp of his steed as he rides.

    It was twelve by the village clock

    When he crossed the bridge into Medford town.

    He heard the crowing of the cock,

    And the barking of the farmer’s dog,

    And felt the damp of the river fog,

    That rises after the sun goes down.

    It was one by the village clock,

    When he galloped into Lexington.

    He saw the gilded weathercock

    Swim in the moonlight as he passed,

    And the meeting-house windows, black and bare,

    Gaze at him with a spectral glare,

    As if they already stood aghast

    At the bloody mark they would look upon.

    It was two by the village clock,

    When he came to the bridge in Concord town.

    He heard the bleating of the flock,

    And the twitter of birds among the trees,

    And felt the breath of the morning breeze

    Blowing over the meadow brown.

    And one was safe and asleep in his bed

    Who at the bridge would be first to fall,

    Who that day would be lying dead,

    Pierced by a British musket ball.

    You know the rest. In the books you have read

    How the British regulars fired and fled,-

    How the farmers gave them ball for ball,

    From behind each fence and farmyard wall,

    Chasing the redcoats down the lane,

    Then crossing the fields to emerge again

    Under the trees at the turn of the road,

    And only pausing to fire and load.

    So through the night rode Paul Revere;

    And so through the night went his cry of alarm

    To every Middlesex village and farm,-

    A cry of defiance, and not of fear,

    A voice in the darkness, a knock at the door,

    And a word that shall echo for evermore!

    For, borne on the night-wind of the Past,

    Through all our history, to the last,

    In the hour of darkness and peril and need,

    The people will waken and listen to hear

    The hurrying hoof-beats of that steed,

    And the midnight message of Paul Revere.

    This article was written for Liberatchik

    A MachinePolitick Fourth of July

    Jul
    4

    I took today of to spend time with my family and divorce myself from the state of the country. I thought it would be nice, for a change, to relax and focus on what makes America great. That’s no small feat for the angry right-wing workaholic artist in me, but I managed.

    We slept in today, which is a miracle in a house with a six year old boy and a hungry hound dog. After hanging around the house for a while, we headed over to a Classic Car and Bike show. There were some really sweet cars out today. Some dated from the 20’s and were in great condition. It’s impressive to see that kind of craftsmanship preserved for so long.

    I haven’t had much time to work in the garden this year, but we had some fun discoveries this week. I was able to get out there and take some pictures today:

    These two pumpkins that will make yummy pies for Halloween and Thanksgiving appeared in the compost we put out on the flowers by the pool. We have also had a bumper crop of Blackberries this year that have started a canning campaign at our house.

    Our parsley is now home to a huge population – at least 26 – of striped caterpillars. We think they will be swallowtails when they grow up, but  I haven’t had time to find out.

    After swimming in the pool, throwing around the football and grilling our dinner, we sat down for some family time. We had a discussion about the importance of the 4th  and how our Independence was won. My husband read the Declaration of Independence to our son and we answered his questions. After that, he read Paul Revere’s Ride by Longfellow.

    We finished the evening watching Bedtime Story, a surprisingly sensible movie, before watching the fireworks from the side of the road near our house. If you haven’t seen the movie yet, I recommend it. Adam Sandler actually has a line refusing to read the commie crap in his niece and nephew’s story books. If that doesn’t make you smile, nothing will.

    I hope you all had a happy Fourth of July. Here’s the painting I started last week to remind you what we’re fighting for. Thanks for all you do and keep up your quest for Liberty.


    This article was written for Anystreet

    Patriot Pony Press

    Jul
    1

    Patriotic ponies to encourage gratitude

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    By Cody Francis
    TRIBUNE-REVIEW
    Thursday, June 10, 2010

    Some animals on a Westmoreland County farm will trade in their summer coats for a coat of paint.

    Whispering Winds Farm in East Huntingdon is hosting a “Patriot Pony Workshop” from 1 p.m. to 4 p.m. Saturday.

    Artist Frances Byrd of Georgia will use the farm’s horses as a canvas to create a “living manifestation” of one of her original pieces of patriotic artwork “that spreads a message of liberty and freedom,” said Claire LeJeune Kemp, owner of Whispering Winds. Byrd will use nontoxic materials.

    Although everyone is invited, Kemp said the event will focus on military veterans and their families.

    Attendees will be invited to paint on the horses after Byrd’s exhibit.

    Kemp, whose husband, brother and two brothers-in-law have served in the military, said she feels events such as the Patriot Pony Workshop are a small way of giving back.

    “I feel like we all owe (the military) a debt of gratitude,” she said. “These children have their mom deployed, their dad deployed or sometimes even both at the same time. They go through a lot.”

    For the past five years, Kemp has used her horses as part of a therapy program for autistic children, mentally handicapped adults and others in need.

    The equines have even been used for a group of salespeople who wanted to work on their personal skills.

    Kemp calls the horses “teachers” and said working with them, whether it be painting them or riding them, is good for anyone who has been through difficult times.

    “When children (gain trust of the horses), they feel so good that that big giant thing shows them attention,” Kemp said. “They really feel like the horses love them. It’s incredible.”

    Whispering Winds has partnered with Horses4Heroes, a nonprofit horseback riding program for the families of “community heroes.”

    Sydney Knott, founder of Las Vegas-based Horses4Heroes, said her organization not only serves military families, but also families of firefighters, police officers, coal miners or anyone who has a “tough job.”

    “It’s for people who every day go to work knowing there’s a chance they may not come home,” Knott said.

    Knott said Kemp’s program is just the type her company looks to sponsor.

    “What she does is use her horses in special ways,” Knott said of Kemp’s work. “It’s called an unmounted act. A lot of people love horses but are scared to get on them. This is a good way to introduce people to horses.”

    A membership to Horses4Heroes requires a one-time $25 fee for a family.

    “There’s a lot of really neat things out there in our country that deal with horses,” Knott said. “Most people love horses but just assume they are too expensive. If a military family has four kids, for everyone in the family to be able to ride horses is big for them. Even a trip to McDonalds can be expensive with four kids. As we grow, we want to offer our members a lot of options of horseback riding opportunities that are safe and affordable.”

    An equine partnership at Whispering Winds Farm
    In this program, the horses are the teachers
    Thursday, July 01, 2010
    By Maryann Gogniat Eidemiller
    Maryann Gogniat Eidemiller
    J.J. Bartacci of Murrysville “paints” a pony during the Painted Pony Workshop at Whispering Winds Farm in East Huntingdon.

    Claire LeJeune Kemp likes many things about the Rocky Mountain horses that she raises at Whispering Winds Farm in East Huntingdon.

    “They are people-pleasers, very affectionate, gentle and they love attention,” she said.

    Those are valuable traits for horses that are partnered with people in a program in which the horses are the instructors in teaching respect, trust and cooperation. “They are fabulous teachers,” Mrs. Kemp said.

    Something that the horses taught her, she added, is how important it is to do what she’s doing.

    Mrs. Kemp, a certified equine specialist, founded the nonprofit Angels in Horsehairs and its workshops, Fulfilling Connections, for at-risk children and youth and for individuals with cognitive, behavioral and physical challenges.

    She also is partnered with Horses4Heroes, a group based in Las Vegas that runs programs for families of those in the military, law enforcement, firefighting, emergency response and other dangerous jobs.

    Mrs. Kemp recently held an open house to introduce a related program, The Patriot Pony Project.

    Political artist Frances Byrd of Georgia, founder of Art For Liberty, kicked off the new project by painting red, white and blue stars and stripes on Mrs. Kemp’s horse, Honey.

    “It was a community event that supported our military and their families,” Mrs. Kemp said, “and Frances wants to promote liberty and freedom and to thank our veterans and military.”

    The two women met in Washington, D.C., in the fall and realized they had common goals.

    “The main issue for me is art,” Mrs. Byrd said during her visit to Whispering Winds. “I started out doing political art and found out that people needed something uplifting and inspirational to keep their spirits up. I want to encourage people to be grateful.”

    So she focused on American symbols such as stars and stripes and the Statue of Liberty, which she will paint on Mrs. Kemp’s barn in the fall. It will be the first in her plans to paint the Statue of Liberty on barns across the United States.

    The Patriot Pony Project was Mrs. Byrd’s first performance art. After she decorated Honey with nontoxic paint, guests were invited to put their own designs on two other horses.

    Since then, Mrs. Kemp has presented the workshop, including lessons in American history, to 4-H Clubs in Westmoreland and Fayette counties.

    Mrs. Kemp has six Rocky Mountain horses, a breed that at one time was endangered.

    They are believed to have originated in the late 1800s in Kentucky, and one story claims that the strong, gentle horses got their name from their stamina in the rocky terrain of the Appalachian Mountains.

    Another links the Kentucky lineage to descendants of Spanish mustangs that roamed the Rocky Mountains.

    The breed is recognized for its smooth four-beat gait and for being versatile for riding or pulling plows and wagons. They have been compared with golden retrievers for their affection for humans, and that bond makes them well-suited for Mrs. Kemp’s work.

    The equine workshops are not riding programs. Rather, participants form a partnership with a horse to solve problems in a safe, trusting environment with a goal of self-discovery.

    “Once people get to know a horse and build a relationship with it, they can transfer that over to life in many aspects, usually developmental assets, and character and social skills,” Mrs. Kemp said.

    “The Patriot Pony Project combines history lessons, but it’s not intended to replace traditional schools. It’s an alternative to reengage students’ interest.”

    Fulfilling Connections is starting a program with Comprehensive Holistic Assessment Rehabilitation Therapy and Education in Squirrel Hill, which serves developmentally delayed individuals. CEO Howard Dobrushin, a licensed professional counselor, brought several clients to the first Patriot Pony Project.

    “It will be part of our wellness program where they can work on trust, self-confidence and image,” he said.

    Mrs. Kemp has always loved horses. As a child, she asked for one every Christmas — an impractical wish for a child who lived in a “tiny” home in Brentwood, she said. So she rode at stables when she was older, and eight years ago, when she was 50, she finally got her own horses.

    “I had no idea of the power of a horse and the relationship you can have with them,” she said. “Every day, they teach me something new, whether it’s about myself or something else. They are excellent messengers.”

    They are also, she added, a connection in a culture that she believes has “lost touch with a sense of relationship and communication.”

    For information about the programs or about volunteering: www.wwsr.biz, 724-547-2550 or e-mail info@wwsr.biz.

    Read more: http://www.post-gazette.com/pg/10182/1069418-59.stm#ixzz0sSc5X2Dt

    Liberatchik Post: Keep Your Eyes on the Prize

    Jul
    1

    The Fourth of July really pisses me off. This year in particular, I will be surrounded by born again patriots who have suddenly found a reason to be proud of America. The concepts of Liberty and individualism are dead! Let’s all eat cake!!

    I hate to break it to them, but when the cake comes from the gubment, it’s stale and moldy. You’d think with all the socialist nations floundering around us, these people could see where we’re headed.

    Rather than depress you with any further ranting, I will move on to the main purpose of this article, which is to inspire you. When I first started creating political art, I had a lot of angst to unload. I stayed in my studio researching and painting furiously and complained all the time. Things haven’t changed all that much in that regard over the past eight years, but my approach is a little different. My husband kept trying to tell me people need to be inspired, not browbeaten – and I didn’t listen. I can be a little stubborn. He said, it should be about the art first and the ideas second. I said, How dare you!

    Then the Tea Party movement popped up and I marched out with my arty farty protest sign and started to talk to people. I’ve been attending lectures and rallies, MeetUps and seminars for the last two years. You know what? He was right. If you’re here, your angry and odds are, you’re working toward the solution. You don’t need to be reminded what’s wrong. You need to be inspired to stay for the long haul.

    So, this fourth, get out there and celebrate the Liberty you are fighting to restore to America. Be proud of the country you live in – where you can still voice your opinions. Thank those who serve in the military to protect our freedoms. Rest assured that there are others fighting with you. On all fronts. And take some inspiration from the artistic movement building to restore the concept of Liberty to the American mindset.

    Irene Deely – Liberty Let’s Roll

    William Harris – William Harris Art

    Robert Jones – Robert Jones Photography

    Liberty 1886

    Frances Byrd – MachinePolitick

    Lonni Clarke – Classical Portraiture

    Ashley Norfleet – Graphic Design and Fine Art

    Robin Borland – ArtRob Studios

    Matthew Welter – Monumental Sculpture

    If you know anyone else, feel free to post a link.

    This article was written for Liberatchik

    Anystreet Blog: Flag Day, the 4th, and Liberty

    Jun
    30

    June 14th came and went without much fanfare. Sadly, most people didn’t realize it was Flag Day. Even worse, in a country were the impulse to be PC has rendered our own flag offensive, the day passed largely uncelebrated. Flag Day was originally meant to commemorate the adoption of the US Flag. Flag Day is as culturally significant as the image it represents; if for no other reason than the iconographic importance of a national symbol.

    Being an artist, I tend to break things down in terms of graphics and quotes. Maybe that is why I see the significance of having an icon to promote ideas. The American flag is a bold and universally recognizable symbol. It can and should be used to promote patriotism and inspire perseverance. How do we make this happen? We display it proudly and shamelessly. It not only sends a message to those who despise America that we will not be silenced. It sends a message to our fellow patriots that they are not alone. More importantly, it tells those who protect our liberty that we appreciate their efforts and sacrifices on our behalf.

    June 12, 1987 is the date of Reagan’s speech at the Brandenburg Gate. In this case determination, strength of character, and inspirational words marked a turning point in history. In Reagan, we had a president who believed in the individual and the concept of Liberty. We all know the famous quote from his speech demanding that Gorbachev “Tear down this wall”. Here are a couple of equally important ideas that he expressed on that pivotal day:

    …”As long as this gate is closed, as long as this scar of a wall is permitted to stand, it is not the German question alone that remains open, but the question of freedom for all mankind.”

    …”The totalitarian world produces backwardness because it does such violence to the spirit, thwarting the human impulse to create, to enjoy, to worship. The totalitarian world finds even symbols of  love and of worship an affront.”

    Being in complete agreement with the content and significance of these words, it is only fitting that I use my art to promote these ideas. In a world where everyone is angry, many despair and all are affected by the encroachments of tyranny I am calling on those who have the strength and passion to inspire others to stand up for Liberty. Take the 4th to remember and thank those who protect us and fight for the Liberties we have. The rest of the year, do your part to support and promote those principles, educate those who are apathetic or unaware and inspire others to do the same. Your approach, as long as it is honest and inspirational is less important than the result.

    In the words of another great man: “Give me Liberty, or Give me death”

    This article was written for Anystreet