Archive for the ‘conservative art movement’ Category

Please Welcome Alexis Estupinan-Arche to Liberatchik

Aug
27
Here are some images from one of our newest artists.

1) “Olive’s field with clay’s pots”– Oil– 2002 .

2)“Quiet river”  (Cuba landscape) –Acrylic–  2002

Spain shipped the Olive Oil in those pots. They are very typical in Camaguey province. It’s like the trademark for Camaguey
Alexis also has a gallery on FaceBook to share some of her painting classes with Deisy Riera. Please check it out here.
This article was written for Liberatchik.

Liberatchik: Art Inspired by Activism

Aug
2

These paintings are by Michael LeKites, who was kind enough to post them on our Facebook page. They were inspired by last year’s Taxpayer March on DC. I eel a personal connection to the work because I also attended the event. From the perspective of an artist, they are very well executed. The color and composition are amazing. From the point of view of a propagandist – they rock and I hope to see more work of this kind in the public forum. Please keep an eye out for future postings of Mr. LeKites’ work, as I plan to keep track of his progress.

These images have also been posted on Liberatchik

Liberatchik:The Screwtape Letters and Modern America

Jul
28

One of the books I am currently reading is the Screwtape Letters by C.S. Lewis. I am not a religious person by nature. Therefore, the book has afforded me some interesting insight into religion and spirituality. I do not, myself, posses faith or the belief in a higher being although (unlike many atheists) I do respect the right of others to do so. I find the concept of religion interesting; particularly the wealth of cultural and iconographic influence it has bestowed upon society.

For this reason, I believe I have approached the reading of this book with an open perspective. I have no agenda or preconceived notion of what it is about. I am reading it simply for the sake of gaining perspective. Ironically, the letters from Screwtape to his nephew Wormwood could just as easily be from a congressman to their aid. Perhaps it is because so many of them have spent their entire career dismantling America in much the same way that Screwtape dismantles souls.

I am not yet finished, but here are some lines I found particularly fitting to the current establishment in Washington.

“An important spiritual law is here involved. I have explained that you can weaken his prayers by diverting his attention from the Enemy Himself to his own states of mind about the Enemy. On the other hand fear becomes easier to master when the patient’s mind is diverted from the thing feared to the fear itself, considered as a present and undesirable state of his own mind; and when he regards the fear as his appointed cross he will inevitably think of it as a state of mind. One can therefore formulate the general rule; in all activities of mind which favor our cause, encourage the patient to be unself-conscious and to concentrate on the object, but in all activities favourable to the Enemy bend his mind back on itself. Let an insult or a woman’s body so fix his attention outward that he does not reflect ‘I am now entering into the state called Anger – or the state called Lust’. Contrariwise, let the reflection ‘My feelings are now growing more devout, or more charitable’ so fix inward that he no longer looks beyond himself to see our Enemy or his own neighbors.”

Translation: Put yourself and your ‘needs’ above all others. It is the mantra and the goal of the movement for ’social justice’. People are kept in a constant state of fear about their future, their status as victims, who will or won’t provide for their ‘needs’ while being kept in a position of helplessness and dependency by the very people who claim to be helping them. It is no coincidence that those same people have simultaneously torn down the concepts of morality, the family and individual responsibility.

“Thus by inflaming the horror of the Same Old Thing we have recently made the Arts, for example, less dangerous to us than perhaps, they have ever been, ‘low-brow’ and ‘high-brow’ artists alike being now daily drawn into fresh, excesses of lasciviousness, unreason, cruelty and pride. Finally, the desire for novelty is indispensable if we are to produce Fashions or Vogues.”
One need only go into the nearest gallery for an illustration of this point. The art community, which touts itself as being avant guard, independent minded, and opposed to the system has become a mere tool to the Progressive agenda. It is now our job, as Conservatives, to stand up to the status quo in the art community and take back our culture. How can we expect the next generation to understand what we are fighting for if they have no concept of Liberty or individualism? Traditionally, it has been the art community that has gone against the grain to raise awareness and promote unpopular ideas. I say we take advantage of that tradition and the means by which it has been achieved successfully in the past.

Want to help? Submit a blog post on the subject for our consideration. Send us images of your work. Find that in yourself that inspires you to stand up to the system and put it in creative form – produce a video, paint a picture, write a poem – anything to get the point across. If you need help getting started, contact me directly at frances@machinepolitick.com or feel free to use the Conservative Action Tools on my web page for ideas. The future is what we make of it.

This article was written for Liberatchik

Pencil Drawing: Lady Justice

Jul
20

Justice#1

Final Photos for Frankie’s Mural

Jul
13

These photos are also posted at Liberatchik

Poetry for the 4th

Jul
4

I just posted an article over at Anystreet about how I spent the Fourth of July. I thought I’d take a minute here to post a poem we read our son to commemorate the holiday. Also, here is the most recent work in progress at the MachinePolitick studio.

Happy Independence Day to all!

Paul Revere’s Ride by Henry Wadsworth Longfellow

Listen my children and you shall hear

Of the midnight ride of Paul Revere,

On the eighteenth of April, in Seventy-five;

Hardly a man is now alive

Who remembers that famous day and year.

He said to his friend, “If the British march

By land or sea from the town tonight,

Hang a lantern aloft in the belfry arch

Of the North Church tower as a signal light,-

One if by land, and two if by sea;

And I on the opposite shore will be,

Ready to ride and spread the alarm

To every Middlesex village and farm,

For the country folk to be up and to arm.”

Then he said “Good night!” and with muffled oar

Silently rowed to the Charlestown shore,

Just as the moon rose over the bay,

Where swinging wide at her moorings lay

The Somerset, British man-of-war;

A phantom ship, with each mast and spar

Across the moon like a prison bar,

And a huge black hulk, that was magnified

by its own reflection in the tide.

Meanwhile, his friend through alley and street

Wanders and watches, with eager ears,

Till in the silence around him he hears

The muster of men at the barrack door,

The sound of arms, and the tramp of feet,

And the measured tread of the grenadiers,

Marching down to their boats on the shore.

Then he climbed the tower of the Old North Church,

By the wooden stairs, with stealthy tread,

To the belfry chamber overhead,

And startled the pigeons from their perch

On the somber rafters, that round him made

Masses and moving shapes of shade,-

By the trembling ladder, steep and tall,

To the highest window in the wall,

Where he paused to listen and look down

A moment on the roofs of the town

And the moonlight flowing over all.

Beneath, in the churchyard, lay the dead,

In their night encampment on the hill,

Wrapped in silence so deep and still

That he could hear, like a sentinel’s tread,

the watchful night-wind as it went

Creeping along from tent to tent,

And seeming to whisper, “All is well!”

A moment only he feels the spell

Of the place and the hour, and the secret dread

Of the lonely belfry and the dead;

For suddenly all his thoughts were bent

On a shadowy something far away,

Where the river widens to meet the bay,-

A line of black that bends and floats

On the rising tide like a bridge of boats.

Meanwhile, impatient to mount and ride,

Booted and spurred, with a heavy stride

On the opposite shore walked Paul Revere.

Now he patted his horse’s side,

Now he gazed at the landscape far and near,

Then impetuous, stamped the earth,

And turned and tightened his saddle girth:

But mostly he watched with eager search

The belfry tower of the Old North Church,

As it rose above the graves on the hill,

Lonely and spectral and somber and still.

And lo! as he looks, on the belfry’s height

A glimmer, and then a gleam of light!

He swings to the saddle, the bridle he turns,

But lingers and gazes, till full on his sight

A second lamp in the belfry burns.

A hurry of hoofs in a village street,

A shape in the moonlight, a bulk in the dark,

And beneath, from the pebbles, in passing, a spark

Struck out by a steed flying fearless and fleet;

That was all! And yet, through the gloom and the light,

The fate of a nation was riding that night;

And the spark struck out by that steed, in his flight,

Kindled the land into flame with its heat.

He has left the village and mounted the steep,

And beneath him, tranquil and broad and deep,

Is the Mystic, meeting the ocean tides;

And under the alders that skirt its edge,

Now soft on the sand, now loud on the ledge,

Is heard the tramp of his steed as he rides.

It was twelve by the village clock

When he crossed the bridge into Medford town.

He heard the crowing of the cock,

And the barking of the farmer’s dog,

And felt the damp of the river fog,

That rises after the sun goes down.

It was one by the village clock,

When he galloped into Lexington.

He saw the gilded weathercock

Swim in the moonlight as he passed,

And the meeting-house windows, black and bare,

Gaze at him with a spectral glare,

As if they already stood aghast

At the bloody mark they would look upon.

It was two by the village clock,

When he came to the bridge in Concord town.

He heard the bleating of the flock,

And the twitter of birds among the trees,

And felt the breath of the morning breeze

Blowing over the meadow brown.

And one was safe and asleep in his bed

Who at the bridge would be first to fall,

Who that day would be lying dead,

Pierced by a British musket ball.

You know the rest. In the books you have read

How the British regulars fired and fled,-

How the farmers gave them ball for ball,

From behind each fence and farmyard wall,

Chasing the redcoats down the lane,

Then crossing the fields to emerge again

Under the trees at the turn of the road,

And only pausing to fire and load.

So through the night rode Paul Revere;

And so through the night went his cry of alarm

To every Middlesex village and farm,-

A cry of defiance, and not of fear,

A voice in the darkness, a knock at the door,

And a word that shall echo for evermore!

For, borne on the night-wind of the Past,

Through all our history, to the last,

In the hour of darkness and peril and need,

The people will waken and listen to hear

The hurrying hoof-beats of that steed,

And the midnight message of Paul Revere.

This article was written for Liberatchik

A MachinePolitick Fourth of July

Jul
4

I took today of to spend time with my family and divorce myself from the state of the country. I thought it would be nice, for a change, to relax and focus on what makes America great. That’s no small feat for the angry right-wing workaholic artist in me, but I managed.

We slept in today, which is a miracle in a house with a six year old boy and a hungry hound dog. After hanging around the house for a while, we headed over to a Classic Car and Bike show. There were some really sweet cars out today. Some dated from the 20’s and were in great condition. It’s impressive to see that kind of craftsmanship preserved for so long.

I haven’t had much time to work in the garden this year, but we had some fun discoveries this week. I was able to get out there and take some pictures today:

These two pumpkins that will make yummy pies for Halloween and Thanksgiving appeared in the compost we put out on the flowers by the pool. We have also had a bumper crop of Blackberries this year that have started a canning campaign at our house.

Our parsley is now home to a huge population – at least 26 – of striped caterpillars. We think they will be swallowtails when they grow up, but  I haven’t had time to find out.

After swimming in the pool, throwing around the football and grilling our dinner, we sat down for some family time. We had a discussion about the importance of the 4th  and how our Independence was won. My husband read the Declaration of Independence to our son and we answered his questions. After that, he read Paul Revere’s Ride by Longfellow.

We finished the evening watching Bedtime Story, a surprisingly sensible movie, before watching the fireworks from the side of the road near our house. If you haven’t seen the movie yet, I recommend it. Adam Sandler actually has a line refusing to read the commie crap in his niece and nephew’s story books. If that doesn’t make you smile, nothing will.

I hope you all had a happy Fourth of July. Here’s the painting I started last week to remind you what we’re fighting for. Thanks for all you do and keep up your quest for Liberty.


This article was written for Anystreet

Flag Installation, Conservative Art, and the 4th

Jul
3

This photo is from a show I attended recently. Because I have been busy working on the Patriot Pony Project, it got shuffled to the back of my list. I thought, however, that it might have been fitting to post it in honor of the Fourth of July.

My friend Alvaro, pictured here talking to his son, is a very patriotic artist. He has several series of American flags modeled after the work of Jasper Johns. The ones in this photo are a collection of 32 that hang as an installation. It is quite impressive to see, least of all for the impact it has on the Liberal patrons of the gallery. It’s a shame Alvaro doesn’t get more exposure, but that is a consequence of wearing one’s Conservatism openly in the Liberal art community of Atlanta.

I am proud to say I own two flags from a different series, titled “Hope” and “Honor”. They hag below the flag my husband received at his father’s Marine Corps funeral. This Fourth of July, think about the freedoms we still have and thank the people who make it possible. Continue to be active in your pursuit of Liberty, and consider becoming an active member in the Conservative art movement we are building.

This article was written for Liberatchik.com

Patriot Pony Press

Jul
1

Patriotic ponies to encourage gratitude

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By Cody Francis
TRIBUNE-REVIEW
Thursday, June 10, 2010

Some animals on a Westmoreland County farm will trade in their summer coats for a coat of paint.

Whispering Winds Farm in East Huntingdon is hosting a “Patriot Pony Workshop” from 1 p.m. to 4 p.m. Saturday.

Artist Frances Byrd of Georgia will use the farm’s horses as a canvas to create a “living manifestation” of one of her original pieces of patriotic artwork “that spreads a message of liberty and freedom,” said Claire LeJeune Kemp, owner of Whispering Winds. Byrd will use nontoxic materials.

Although everyone is invited, Kemp said the event will focus on military veterans and their families.

Attendees will be invited to paint on the horses after Byrd’s exhibit.

Kemp, whose husband, brother and two brothers-in-law have served in the military, said she feels events such as the Patriot Pony Workshop are a small way of giving back.

“I feel like we all owe (the military) a debt of gratitude,” she said. “These children have their mom deployed, their dad deployed or sometimes even both at the same time. They go through a lot.”

For the past five years, Kemp has used her horses as part of a therapy program for autistic children, mentally handicapped adults and others in need.

The equines have even been used for a group of salespeople who wanted to work on their personal skills.

Kemp calls the horses “teachers” and said working with them, whether it be painting them or riding them, is good for anyone who has been through difficult times.

“When children (gain trust of the horses), they feel so good that that big giant thing shows them attention,” Kemp said. “They really feel like the horses love them. It’s incredible.”

Whispering Winds has partnered with Horses4Heroes, a nonprofit horseback riding program for the families of “community heroes.”

Sydney Knott, founder of Las Vegas-based Horses4Heroes, said her organization not only serves military families, but also families of firefighters, police officers, coal miners or anyone who has a “tough job.”

“It’s for people who every day go to work knowing there’s a chance they may not come home,” Knott said.

Knott said Kemp’s program is just the type her company looks to sponsor.

“What she does is use her horses in special ways,” Knott said of Kemp’s work. “It’s called an unmounted act. A lot of people love horses but are scared to get on them. This is a good way to introduce people to horses.”

A membership to Horses4Heroes requires a one-time $25 fee for a family.

“There’s a lot of really neat things out there in our country that deal with horses,” Knott said. “Most people love horses but just assume they are too expensive. If a military family has four kids, for everyone in the family to be able to ride horses is big for them. Even a trip to McDonalds can be expensive with four kids. As we grow, we want to offer our members a lot of options of horseback riding opportunities that are safe and affordable.”

An equine partnership at Whispering Winds Farm
In this program, the horses are the teachers
Thursday, July 01, 2010
By Maryann Gogniat Eidemiller
Maryann Gogniat Eidemiller
J.J. Bartacci of Murrysville “paints” a pony during the Painted Pony Workshop at Whispering Winds Farm in East Huntingdon.

Claire LeJeune Kemp likes many things about the Rocky Mountain horses that she raises at Whispering Winds Farm in East Huntingdon.

“They are people-pleasers, very affectionate, gentle and they love attention,” she said.

Those are valuable traits for horses that are partnered with people in a program in which the horses are the instructors in teaching respect, trust and cooperation. “They are fabulous teachers,” Mrs. Kemp said.

Something that the horses taught her, she added, is how important it is to do what she’s doing.

Mrs. Kemp, a certified equine specialist, founded the nonprofit Angels in Horsehairs and its workshops, Fulfilling Connections, for at-risk children and youth and for individuals with cognitive, behavioral and physical challenges.

She also is partnered with Horses4Heroes, a group based in Las Vegas that runs programs for families of those in the military, law enforcement, firefighting, emergency response and other dangerous jobs.

Mrs. Kemp recently held an open house to introduce a related program, The Patriot Pony Project.

Political artist Frances Byrd of Georgia, founder of Art For Liberty, kicked off the new project by painting red, white and blue stars and stripes on Mrs. Kemp’s horse, Honey.

“It was a community event that supported our military and their families,” Mrs. Kemp said, “and Frances wants to promote liberty and freedom and to thank our veterans and military.”

The two women met in Washington, D.C., in the fall and realized they had common goals.

“The main issue for me is art,” Mrs. Byrd said during her visit to Whispering Winds. “I started out doing political art and found out that people needed something uplifting and inspirational to keep their spirits up. I want to encourage people to be grateful.”

So she focused on American symbols such as stars and stripes and the Statue of Liberty, which she will paint on Mrs. Kemp’s barn in the fall. It will be the first in her plans to paint the Statue of Liberty on barns across the United States.

The Patriot Pony Project was Mrs. Byrd’s first performance art. After she decorated Honey with nontoxic paint, guests were invited to put their own designs on two other horses.

Since then, Mrs. Kemp has presented the workshop, including lessons in American history, to 4-H Clubs in Westmoreland and Fayette counties.

Mrs. Kemp has six Rocky Mountain horses, a breed that at one time was endangered.

They are believed to have originated in the late 1800s in Kentucky, and one story claims that the strong, gentle horses got their name from their stamina in the rocky terrain of the Appalachian Mountains.

Another links the Kentucky lineage to descendants of Spanish mustangs that roamed the Rocky Mountains.

The breed is recognized for its smooth four-beat gait and for being versatile for riding or pulling plows and wagons. They have been compared with golden retrievers for their affection for humans, and that bond makes them well-suited for Mrs. Kemp’s work.

The equine workshops are not riding programs. Rather, participants form a partnership with a horse to solve problems in a safe, trusting environment with a goal of self-discovery.

“Once people get to know a horse and build a relationship with it, they can transfer that over to life in many aspects, usually developmental assets, and character and social skills,” Mrs. Kemp said.

“The Patriot Pony Project combines history lessons, but it’s not intended to replace traditional schools. It’s an alternative to reengage students’ interest.”

Fulfilling Connections is starting a program with Comprehensive Holistic Assessment Rehabilitation Therapy and Education in Squirrel Hill, which serves developmentally delayed individuals. CEO Howard Dobrushin, a licensed professional counselor, brought several clients to the first Patriot Pony Project.

“It will be part of our wellness program where they can work on trust, self-confidence and image,” he said.

Mrs. Kemp has always loved horses. As a child, she asked for one every Christmas — an impractical wish for a child who lived in a “tiny” home in Brentwood, she said. So she rode at stables when she was older, and eight years ago, when she was 50, she finally got her own horses.

“I had no idea of the power of a horse and the relationship you can have with them,” she said. “Every day, they teach me something new, whether it’s about myself or something else. They are excellent messengers.”

They are also, she added, a connection in a culture that she believes has “lost touch with a sense of relationship and communication.”

For information about the programs or about volunteering: www.wwsr.biz, 724-547-2550 or e-mail info@wwsr.biz.

Read more: http://www.post-gazette.com/pg/10182/1069418-59.stm#ixzz0sSc5X2Dt

Liberatchik Post: Keep Your Eyes on the Prize

Jul
1

The Fourth of July really pisses me off. This year in particular, I will be surrounded by born again patriots who have suddenly found a reason to be proud of America. The concepts of Liberty and individualism are dead! Let’s all eat cake!!

I hate to break it to them, but when the cake comes from the gubment, it’s stale and moldy. You’d think with all the socialist nations floundering around us, these people could see where we’re headed.

Rather than depress you with any further ranting, I will move on to the main purpose of this article, which is to inspire you. When I first started creating political art, I had a lot of angst to unload. I stayed in my studio researching and painting furiously and complained all the time. Things haven’t changed all that much in that regard over the past eight years, but my approach is a little different. My husband kept trying to tell me people need to be inspired, not browbeaten – and I didn’t listen. I can be a little stubborn. He said, it should be about the art first and the ideas second. I said, How dare you!

Then the Tea Party movement popped up and I marched out with my arty farty protest sign and started to talk to people. I’ve been attending lectures and rallies, MeetUps and seminars for the last two years. You know what? He was right. If you’re here, your angry and odds are, you’re working toward the solution. You don’t need to be reminded what’s wrong. You need to be inspired to stay for the long haul.

So, this fourth, get out there and celebrate the Liberty you are fighting to restore to America. Be proud of the country you live in – where you can still voice your opinions. Thank those who serve in the military to protect our freedoms. Rest assured that there are others fighting with you. On all fronts. And take some inspiration from the artistic movement building to restore the concept of Liberty to the American mindset.

Irene Deely – Liberty Let’s Roll

William Harris – William Harris Art

Robert Jones – Robert Jones Photography

Liberty 1886

Frances Byrd – MachinePolitick

Lonni Clarke – Classical Portraiture

Ashley Norfleet – Graphic Design and Fine Art

Robin Borland – ArtRob Studios

Matthew Welter – Monumental Sculpture

If you know anyone else, feel free to post a link.

This article was written for Liberatchik