Archive for the ‘conservative art’ Category

Please Welcome Alexis Estupinan-Arche to Liberatchik

Aug
27
Here are some images from one of our newest artists.

1) “Olive’s field with clay’s pots”– Oil– 2002 .

2)“Quiet river”  (Cuba landscape) –Acrylic–  2002

Spain shipped the Olive Oil in those pots. They are very typical in Camaguey province. It’s like the trademark for Camaguey
Alexis also has a gallery on FaceBook to share some of her painting classes with Deisy Riera. Please check it out here.
This article was written for Liberatchik.

Visionary Reflections: Studies in Aesthetics

Aug
13

My friends in the Buford Artists’ Group are organizing our next show. Here is a list of our participating artists:

1. Anita Stewart: Instructor/owner of Anita’s Artscool in Buford, GA; Mixed Media &             Acrylics

2. Beth Arnold: Retired Teacher,; specializes in Acrylic and Watercolor landscapes

3. Beth Stokes Clinton: Specializes in landscapes in Oil based on her travels including France and China.

4. Carol Luttenberg: Signature Watercolor artist, originally from PA;  now experimenting with colored inks and liquid watercolor on Yupo

5. Dolly Alexander: Originally from Texas, specializes in dry pastels.  She is known as “The Cloud Lady” for her unique rendition of clouds

6. Frances Byrd: Political activist and social conscience.  Works in Acrylics.  SCAD graduate and visionary artwork

7. Howard Wilemon: Retired Engineer. Very distinctive style.  Paints in Acrylics.

8. Judith Surowiec: Paints very colorful and surrealistic scenes in acrylics.  Studio at Tannery Row Artist Colony in Buford, GA

9. June Gotthardt: Paints landscape scenery of North Carolina mountain region.

10. Lois Colborn: Self taught Visual Artist.  Specializes with watercolor on Yupo which feature still life, abstract, or landscape as well as her own “Tiffany” look.

11. Lucy Brady: Paints in Watercolor and specializes in landscapes from National State Parks.  Also House portraits

    12. Rosemary Benavides Williams: Originally from MA, Watercolor Instructor at the Sugar Hill Community Center

    More details will be posted as they develop. The show is currently scheduled for October 13 – February 23, 2011. The venue is the George Pierce Park Community Center in Suwannee, Georgia. I am planning to submit work from the Patriot Pony Project.

    Liberatchik: Art Inspired by Activism

    Aug
    2

    These paintings are by Michael LeKites, who was kind enough to post them on our Facebook page. They were inspired by last year’s Taxpayer March on DC. I eel a personal connection to the work because I also attended the event. From the perspective of an artist, they are very well executed. The color and composition are amazing. From the point of view of a propagandist – they rock and I hope to see more work of this kind in the public forum. Please keep an eye out for future postings of Mr. LeKites’ work, as I plan to keep track of his progress.

    These images have also been posted on Liberatchik

    Liberatchik:The Screwtape Letters and Modern America

    Jul
    28

    One of the books I am currently reading is the Screwtape Letters by C.S. Lewis. I am not a religious person by nature. Therefore, the book has afforded me some interesting insight into religion and spirituality. I do not, myself, posses faith or the belief in a higher being although (unlike many atheists) I do respect the right of others to do so. I find the concept of religion interesting; particularly the wealth of cultural and iconographic influence it has bestowed upon society.

    For this reason, I believe I have approached the reading of this book with an open perspective. I have no agenda or preconceived notion of what it is about. I am reading it simply for the sake of gaining perspective. Ironically, the letters from Screwtape to his nephew Wormwood could just as easily be from a congressman to their aid. Perhaps it is because so many of them have spent their entire career dismantling America in much the same way that Screwtape dismantles souls.

    I am not yet finished, but here are some lines I found particularly fitting to the current establishment in Washington.

    “An important spiritual law is here involved. I have explained that you can weaken his prayers by diverting his attention from the Enemy Himself to his own states of mind about the Enemy. On the other hand fear becomes easier to master when the patient’s mind is diverted from the thing feared to the fear itself, considered as a present and undesirable state of his own mind; and when he regards the fear as his appointed cross he will inevitably think of it as a state of mind. One can therefore formulate the general rule; in all activities of mind which favor our cause, encourage the patient to be unself-conscious and to concentrate on the object, but in all activities favourable to the Enemy bend his mind back on itself. Let an insult or a woman’s body so fix his attention outward that he does not reflect ‘I am now entering into the state called Anger – or the state called Lust’. Contrariwise, let the reflection ‘My feelings are now growing more devout, or more charitable’ so fix inward that he no longer looks beyond himself to see our Enemy or his own neighbors.”

    Translation: Put yourself and your ‘needs’ above all others. It is the mantra and the goal of the movement for ’social justice’. People are kept in a constant state of fear about their future, their status as victims, who will or won’t provide for their ‘needs’ while being kept in a position of helplessness and dependency by the very people who claim to be helping them. It is no coincidence that those same people have simultaneously torn down the concepts of morality, the family and individual responsibility.

    “Thus by inflaming the horror of the Same Old Thing we have recently made the Arts, for example, less dangerous to us than perhaps, they have ever been, ‘low-brow’ and ‘high-brow’ artists alike being now daily drawn into fresh, excesses of lasciviousness, unreason, cruelty and pride. Finally, the desire for novelty is indispensable if we are to produce Fashions or Vogues.”
    One need only go into the nearest gallery for an illustration of this point. The art community, which touts itself as being avant guard, independent minded, and opposed to the system has become a mere tool to the Progressive agenda. It is now our job, as Conservatives, to stand up to the status quo in the art community and take back our culture. How can we expect the next generation to understand what we are fighting for if they have no concept of Liberty or individualism? Traditionally, it has been the art community that has gone against the grain to raise awareness and promote unpopular ideas. I say we take advantage of that tradition and the means by which it has been achieved successfully in the past.

    Want to help? Submit a blog post on the subject for our consideration. Send us images of your work. Find that in yourself that inspires you to stand up to the system and put it in creative form – produce a video, paint a picture, write a poem – anything to get the point across. If you need help getting started, contact me directly at frances@machinepolitick.com or feel free to use the Conservative Action Tools on my web page for ideas. The future is what we make of it.

    This article was written for Liberatchik

    Pencil Drawing: Lady Justice

    Jul
    20

    Justice#1

    Bird Sculptures by Robert Goodwin

    Jul
    17

    Final Photos for Frankie’s Mural

    Jul
    13

    These photos are also posted at Liberatchik

    Frankie’s Mural is Almost Finished

    Jul
    11

    The last couple of weeks, I have been back at Frankie’s Repair Shop working on his mural. It is a tribute to his father who served in the Korean War. In two weeks, Mr. Morales will be in town from Puerto Rico. It will be interesting to see how he reacts, and how accurately I have been able to portray him based on the grainy black and white photos I have from the war as reference.

    Overall, I am very happy with the mural. Portraits are my least favorite subjects, but I think this one is coming out pretty well. I am extremely pleased with the eagle and the translucency of the flag. One of the most difficult parts of this project has been trying to achieve the layering that is prevalent in my fine art while using house paints.

    I expect to finish up tomorrow. For now, here are the current photos:

    This article is also posted at Liberatchik

    Poetry for the 4th

    Jul
    4

    I just posted an article over at Anystreet about how I spent the Fourth of July. I thought I’d take a minute here to post a poem we read our son to commemorate the holiday. Also, here is the most recent work in progress at the MachinePolitick studio.

    Happy Independence Day to all!

    Paul Revere’s Ride by Henry Wadsworth Longfellow

    Listen my children and you shall hear

    Of the midnight ride of Paul Revere,

    On the eighteenth of April, in Seventy-five;

    Hardly a man is now alive

    Who remembers that famous day and year.

    He said to his friend, “If the British march

    By land or sea from the town tonight,

    Hang a lantern aloft in the belfry arch

    Of the North Church tower as a signal light,-

    One if by land, and two if by sea;

    And I on the opposite shore will be,

    Ready to ride and spread the alarm

    To every Middlesex village and farm,

    For the country folk to be up and to arm.”

    Then he said “Good night!” and with muffled oar

    Silently rowed to the Charlestown shore,

    Just as the moon rose over the bay,

    Where swinging wide at her moorings lay

    The Somerset, British man-of-war;

    A phantom ship, with each mast and spar

    Across the moon like a prison bar,

    And a huge black hulk, that was magnified

    by its own reflection in the tide.

    Meanwhile, his friend through alley and street

    Wanders and watches, with eager ears,

    Till in the silence around him he hears

    The muster of men at the barrack door,

    The sound of arms, and the tramp of feet,

    And the measured tread of the grenadiers,

    Marching down to their boats on the shore.

    Then he climbed the tower of the Old North Church,

    By the wooden stairs, with stealthy tread,

    To the belfry chamber overhead,

    And startled the pigeons from their perch

    On the somber rafters, that round him made

    Masses and moving shapes of shade,-

    By the trembling ladder, steep and tall,

    To the highest window in the wall,

    Where he paused to listen and look down

    A moment on the roofs of the town

    And the moonlight flowing over all.

    Beneath, in the churchyard, lay the dead,

    In their night encampment on the hill,

    Wrapped in silence so deep and still

    That he could hear, like a sentinel’s tread,

    the watchful night-wind as it went

    Creeping along from tent to tent,

    And seeming to whisper, “All is well!”

    A moment only he feels the spell

    Of the place and the hour, and the secret dread

    Of the lonely belfry and the dead;

    For suddenly all his thoughts were bent

    On a shadowy something far away,

    Where the river widens to meet the bay,-

    A line of black that bends and floats

    On the rising tide like a bridge of boats.

    Meanwhile, impatient to mount and ride,

    Booted and spurred, with a heavy stride

    On the opposite shore walked Paul Revere.

    Now he patted his horse’s side,

    Now he gazed at the landscape far and near,

    Then impetuous, stamped the earth,

    And turned and tightened his saddle girth:

    But mostly he watched with eager search

    The belfry tower of the Old North Church,

    As it rose above the graves on the hill,

    Lonely and spectral and somber and still.

    And lo! as he looks, on the belfry’s height

    A glimmer, and then a gleam of light!

    He swings to the saddle, the bridle he turns,

    But lingers and gazes, till full on his sight

    A second lamp in the belfry burns.

    A hurry of hoofs in a village street,

    A shape in the moonlight, a bulk in the dark,

    And beneath, from the pebbles, in passing, a spark

    Struck out by a steed flying fearless and fleet;

    That was all! And yet, through the gloom and the light,

    The fate of a nation was riding that night;

    And the spark struck out by that steed, in his flight,

    Kindled the land into flame with its heat.

    He has left the village and mounted the steep,

    And beneath him, tranquil and broad and deep,

    Is the Mystic, meeting the ocean tides;

    And under the alders that skirt its edge,

    Now soft on the sand, now loud on the ledge,

    Is heard the tramp of his steed as he rides.

    It was twelve by the village clock

    When he crossed the bridge into Medford town.

    He heard the crowing of the cock,

    And the barking of the farmer’s dog,

    And felt the damp of the river fog,

    That rises after the sun goes down.

    It was one by the village clock,

    When he galloped into Lexington.

    He saw the gilded weathercock

    Swim in the moonlight as he passed,

    And the meeting-house windows, black and bare,

    Gaze at him with a spectral glare,

    As if they already stood aghast

    At the bloody mark they would look upon.

    It was two by the village clock,

    When he came to the bridge in Concord town.

    He heard the bleating of the flock,

    And the twitter of birds among the trees,

    And felt the breath of the morning breeze

    Blowing over the meadow brown.

    And one was safe and asleep in his bed

    Who at the bridge would be first to fall,

    Who that day would be lying dead,

    Pierced by a British musket ball.

    You know the rest. In the books you have read

    How the British regulars fired and fled,-

    How the farmers gave them ball for ball,

    From behind each fence and farmyard wall,

    Chasing the redcoats down the lane,

    Then crossing the fields to emerge again

    Under the trees at the turn of the road,

    And only pausing to fire and load.

    So through the night rode Paul Revere;

    And so through the night went his cry of alarm

    To every Middlesex village and farm,-

    A cry of defiance, and not of fear,

    A voice in the darkness, a knock at the door,

    And a word that shall echo for evermore!

    For, borne on the night-wind of the Past,

    Through all our history, to the last,

    In the hour of darkness and peril and need,

    The people will waken and listen to hear

    The hurrying hoof-beats of that steed,

    And the midnight message of Paul Revere.

    This article was written for Liberatchik

    A MachinePolitick Fourth of July

    Jul
    4

    I took today of to spend time with my family and divorce myself from the state of the country. I thought it would be nice, for a change, to relax and focus on what makes America great. That’s no small feat for the angry right-wing workaholic artist in me, but I managed.

    We slept in today, which is a miracle in a house with a six year old boy and a hungry hound dog. After hanging around the house for a while, we headed over to a Classic Car and Bike show. There were some really sweet cars out today. Some dated from the 20’s and were in great condition. It’s impressive to see that kind of craftsmanship preserved for so long.

    I haven’t had much time to work in the garden this year, but we had some fun discoveries this week. I was able to get out there and take some pictures today:

    These two pumpkins that will make yummy pies for Halloween and Thanksgiving appeared in the compost we put out on the flowers by the pool. We have also had a bumper crop of Blackberries this year that have started a canning campaign at our house.

    Our parsley is now home to a huge population – at least 26 – of striped caterpillars. We think they will be swallowtails when they grow up, but  I haven’t had time to find out.

    After swimming in the pool, throwing around the football and grilling our dinner, we sat down for some family time. We had a discussion about the importance of the 4th  and how our Independence was won. My husband read the Declaration of Independence to our son and we answered his questions. After that, he read Paul Revere’s Ride by Longfellow.

    We finished the evening watching Bedtime Story, a surprisingly sensible movie, before watching the fireworks from the side of the road near our house. If you haven’t seen the movie yet, I recommend it. Adam Sandler actually has a line refusing to read the commie crap in his niece and nephew’s story books. If that doesn’t make you smile, nothing will.

    I hope you all had a happy Fourth of July. Here’s the painting I started last week to remind you what we’re fighting for. Thanks for all you do and keep up your quest for Liberty.


    This article was written for Anystreet