The American Crow

Alinsky, Social Justice and a Cultural Revolution

#TheRevolutionaryHaloOfSocialJustice
The Revolutionary Halo of (Social)Justice

 

… to the first radical known to man who rebelled against the establishment and did it so effectively that he at least won his own kingdom – Lucifer.” – Saul Alinsky, Rules for Radicals 1971

 

Alinsky’s dedication at the beginning of Rules for Radicals is telling of his personal morality and ultimate goals. Those who blindly follow the current purveyors of his philosophy, within our government, higher learning institutions and social organizations, would do well to examine his/their true motives and the consequences of following in the footsteps of a man who would pay homage to the ideological embodiment of evil.

 

Developing Iconography

 

There is no need to put words in Alinsky’s mouth or take his ideas out of context. There is no need to spin his philosophy like some two-bit mainstream journalist. Alinsky’s words speak clearly for him and his intent in all their wretched meaning. For this reason, several of his quotes were utilized in the under-painting for The Revolutionary Halo of (Social)Justice.

This painting is part of an ongoing series based upon stylized American Crow iconography I am developing. Though the series started out as an illustration of the OWS movement, it quickly grew to encompass progressive thought in general as well as the societal and individual consequences of its implementation.

 

(Social)Justice is an allegorical portrait of Saul Alinsky, one of the most influential progressives in American history. In Rules for Radicals, he laid the groundwork and strategy for an all encompassing transformation of American thought and culture across institutional, economic and social boundaries. This painting attempts to capture the essence of those ideas.

 

The Progressive Tactic of Fomenting Despair

 

Early in the book, Alinsky quotes Dostoyevsky: “… Any revolutionary change must be preceded by a passive, affirmative, non-challenging attitude toward change among the mass of our people. They must feel so frustrated, so defeated, so lost, so futureless in the prevailing system that they are willing to let go of the past and chance the future…”

 

Do you see a connection between these ideas and the current events sweeping America today? This quote by Dostoyevsky, as used by Alinsky, points to an agenda that encourages people to disregard the historic failures and precedents of statist ideology and its implementations across the globe. It encourages one to turn a blind eye to the deliberate destruction and loss of life at the hands of an elitist few. It then calls for a blind faith in the motives and power of that elite few rather than in individual responsibility and participatory self-governance.

 

The Common Good

 

The price of democracy is the ongoing pursuit of the common good by all of the people”.

 

With this quote, we start to see how the progressive movement started to change the people’s knowledge of America as a representational republic, to a belief in America as a democracy. This is based on an agenda of steering the populace toward support of mob rule, which devolves into tyranny and a dependence on the state for structure and support. The old saw goes: “If you repeat a lie often enough, people begin to take it as truth”. Like the raucous caw of a crow, the populist mantra silences the voice of reason.

What is the goal of this redefinition of terms and intentional deception? First, it is anti-individual and purposefully vague in order to allow the elitist controlling class to redefine terms of duty and sacrifice as being for the common good. It softens the populace to the idea of redistribution of goods and services based on impact toward the common good. And, the very vagueness of the idea, gives those in control the ability to change course and redefine these very terms as needed.

 

People will rally behind the ideas of freedom and justice, even when they are denied these institutions themselves. The challenge and the power come in presenting an agenda in a way that appeals to the emotions first; to make people feel disenfranchised, victimized and entitled to compensation. Once this is achieved, it is a small step to organize them into an activist mob disinterested in the moral implications of their actions.

In fact, Alinsky goes so far as to consider moral concerns a bourgeois affectation; impracticable in the real world. His approach builds on Hobbes’ belief that men are essentially savages in a brutish world. But, rather than merely suggest that a leviathan state is the only method with which to control the vagaries of barbarism, he encourages his followers to take advantage of their collective barbarity at the expense of society.

Quotes in the Painting

I have incorporated some pop culture references and direct quotes from Rules for Radicals in the under-painting. Upon closer examination, the more relevant portions show through, inviting the viewer to step up and examine the painting closely. Of course, the crow stands alone as a piece of art, so it is not particularly relevant for you to know what it means. What it does is engage you directly as a means to open dialogue on the subject portrayed in the painting. The Revolutionary Halo of (Social)Justice is intended to inspire a closer examination of Mr. Alinsky’s model for social destruction and reformation. I leave you, for now, with some quotes from the under-painting.

“Some men can’t be bought, bullied, reasoned, or negotiated with. Some men just want to watch the world burn.” – Alfred, The Dark Knight 2008

“…if one lacks the luxury of a choice and is possessed of only one means, then the ethical question will never arise…” – Saul Alinsky, Rules for Radicals 1971

“To me, ethics is doing what is best for the most”. – Saul Alinsky, Rules for Radicals 1971

 

Frances Byrd is the National Director of Liberatchik.com, and a contributing writer at Western Free Press and BlogBytes.Her articles have also been published at Big Hollywood. Mrs. Byrd’s conceptual art and writing can be viewed at MachinePolitick.

 

American Crow: The Occupy Wall Street Series

The American Crow is a large black bird with iridescent highlights across its body. It has a very striking physical appearance and behavioral characteristics. It is considered an ill omen by some and a dirty scavenger by others. What better imagery could be used to describe the Occupy Movement?

I am currently developing this idea and related imagery into graphic forms via a series of paintings, drawings and mixed media projects. I recently completed the first painting in the series, working out many details in style and technique. Here is a detail from the painting illustrating the idea that OWS protestors are merely cogs in the machine of The State:

Detail of American Crow #1

In an effort to present a factual and reasoned defense of this analogy, I have spent a great deal of time on the OWS.org website and the Occupy Atlanta page in order to learn exactly what they are demanding. It turns out to be just about everything, but that is a topic for a future post. In addition, I subscribed to the Facebook page for Occupy Atlanta in order to get timely updates about events in my area. It’s infuriating at times, but it helps keep me focused and inspired.

OWS journal; study for The American Crow #1
OWS journal: definitions and research topics

For now, I leave you with the culmination of my idea and the model for future works of art depicting what could very well destroy the culture of America.

American Crow #1

About the Painting

American Crow #1

acrylic, tempera, oil, and glitter on gessoed wood panel

22″ high x 29″ wide x 3′ deep

completed August 2012

$650

Please contact frances@machinepolitick.com for purchasing inquiries.

Frances Byrd is the National Director of Liberatchik.com. She is also a conservative political artist and blogger. Her art can be viewed at MachinePolitick.com.